jadelennox: El Diablo Robotico (btvs: robot)
[personal profile] jadelennox

I am enjoying this Clarkesworld subscription. Snail mail once a month full of stories! And my favorite part of the subscription has been the recurring Morag and Seamus stories by Fiona Moore (all free online). I believe it's every one of her Clarkesworld stories from "The Spoil Heap" on. The list on the site is reverse chronological, so if you want to read in order, scroll down to "The Spoil Heap" and read up from there.

While very different, they remind me in vibe of Naomi Kritzer's "The Year Without Sunshine". One of my difficulties with some hopepunk is that it can ignore hard truths—which, I admit, is sometimes what I want! But like "The Year Without Sunshine", the Morag and Seamus stories don't pretend mutual aid can create Abundance™️, or outcompete bad and selfish actors, or defeat natural disasters, or solve medical and ability needs, or create entire post-scarcity planets or large societies where goodness reigns. In fact, the Morag and Seamus stories specifically roll their eyes at people who think we can achieve fully automated luxury gay space communism.

They're just about people (and possibly robots) figuring their shit out, in myriad ways. Some are helpers and some aren't; some make family in all kind of ways; nobody's sure what the future holds. Helpers beget helpers, greed begets problems, the world moves on, Morag and Seamus grow potatoes in Wales.

ADHD with the knockout 🎉

Mar. 7th, 2026 07:14 pm
jadelennox: El Diablo Robotico (btvs: robot)
[personal profile] jadelennox

I was writing up a navel-gazing post about grief (tl;dr turned out I think "oh MM would like that!" more often than I would have suspected) and it somehow spiraled into how I could make beautiful and accessible no-Javascript footnotes CSS given the Dreamwidth CSS restrictions. This resulted in me, among other things, reading the DW codebase to see all the CSS restrictions, and then finally after a couple of hours getting my perfect CSS, even though it's completely useless because it will only work when reading in my journal style.

(ETA: That's only because I'm being a perfectionist about placement for the purposes of this exercise, and DW doesn't allow absolute positioning in inline HTML.)

(Also even making this post resulted in me reading the code for Perl's Text::Markdown since I couldn't remember which code block syntax it used.

Hyperfixation FTW!

CSS, FWIW )

jadelennox: Doctor Who: Adric's broken star for mathematics (doctor who: adric)
[personal profile] jadelennox

by Gabrielle Calvocoressi

Do not care if  you bring only your light body.
Would just be so happy to sit at the table
and talk about the menu. Miss you.
Wish we could bet which chilis they’ll put
on the cubes of tofu. Our favorite.
Sometimes green. Sometimes red. Roasted
we always thought. But so cold and fresh.
How did they do it? Wish you could be here
to talk about it like it was so important.
Wish you could. Watched you on the screens
as I was walking, as I was cooking. Wished you
could get out of the hospital. Can’t
bring myself to order our dish and eat it
in the car. Miss you laughing. Miss
you coming in from the cold or one
too many meetings. Laughing. I’ll order
already. I’ll order seven helpings, some
dumplings, those cold yam noodles that you
like. You can come in your light
body or skeleton or be invisible I don’t even
care. Know you have a long way to travel.
Know I don’t even know if it’s long
at all. Wish you could tell me. What
you’re reading. If you’re reading.
Miss you. I’m at the table in the back.

 

(via.)

Weeden vs the Empire

Feb. 25th, 2026 09:53 am
steepholm: (Default)
[personal profile] steepholm
As a young man, Weeden II had been quite outspoken in his dislike for empire and his opposition to slavery, as evidenced in his Zimao, the African (1800) and his poetry collection, Bagatelles (1795), most notably in poems such as "The Slave", "The Indian Warrior, bound to the stake", "The Indian in Despair", etc. Even then, there are definite limits to his radicalism: Zimao the handsome maroon is paired with Wilmot, the "good" plantation owner, for example; the Indians are sympathetically depicted, but the manner of treatment owes a good deal to what we might call the noble savage aesthetic, and presents them as tragic, doomed figures, speaking using jarringly eighteenth-century poetic diction. (But then, no more jarring than when Tacitus makes the British leader Calgacus give an oration that would have been at home on the floor of the Senate - and what other diction did Weeden have access to?) Anyway, this is an aspect of Weeden I've always been fond of, and one thing I'd been wondering is whether his politics changed as he moved out of his twenties, as is so often the case.

Reading his letters from middle-age gives little clue as to that: they are mostly concerned with family and professional matters. But yesterday, I found this fascinating passage in a letter to his son Weeden III, written in his early fifties (on 13th July, 1824) about an event that I feel ashamed to say that I knew nothing about. I've included for interest the immediately preceding sentences about the recent deaths of Thomas Rennell (yes, I had to look him up too) and Byron (whom he evidently had little time for, perhaps because he'd been so mean to his little brother):

The deaths of Rennell & Byron form a contrast awful, improving, important. Yet, how few comparatively lament the one; how pompous & gorgeous are the outward demonstrations of grief for the other! But God seeth not as man seeth.

The death of the Queen of the Sandwich Islands bears a pathos which a poet might feel strongly. A child of nature sacrificed in a few weeks at the shrine of civilization & modern refinement! Change of habits of living, routs of plays & operas, in confined & scented rooms, with a smokey atmosphere, & and at midnight, lead us with ease to divine the powerful disease by which the denizen of pure regions fell. There is in truth the semblance of a mystery visible throughout the treatment of these honest Islanders, that awakens the warmest compassion for the fate of the departed & the liveliest sympathy for the embarrassments & difficulties of the living. “Rex et amicus appellabatur” is the political phrase explanatory of the system now pursued towards these people, to make them subjects to our power & interests & to withdraw them from the paws of the Russian bear.


"There speaks the author of the Bagatelles!" I cried as I read this. Still drenched in the language of noble savagery, admittedly, but still anti-imperialist in his instincts, or at least that's my reading. Never change, great-great-great Grandpapa.

If, like me, you need some of this historical context filling in, there's an account here (including pictures), but briefly, King Kamehameha II (aka Liholiho) and Queen Kamāmalu were visiting from the Sandwich Islands (i.e. Hawaii) when the Queen caught measles, quite possibly in Chelsea, and died a month later, on 5th July. The grief-stricken King also succumbed, dying on the 14th, the day after this letter was written.

Ironically, the captain of the ship that returned their remains to Hawaii was called George Byron - a cousin of the poet.

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